Drawing Then: Innovation and Influence in American Drawings of the Sixties

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Dominique Lévy
909 Madison Avenue
New York, NY 10021
January 27 – March 19, 2016

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Dominique Lévy in New York is currently showing a selection of drawings from some of my favourite artists. Curated by Kate Ganz, the exhibition features a variety of works by the likes of Agnes Martin, Brice Marden, Sol LeWitt, Richard Tuttle, Ellsworth Kelly and Josef Albers, among others. Looking at the evolution of drawing and the development of some of America's most prolific minimalists during an important time in the country's history, the show's tone is calm and mature, highlighting the power and impact their seemingly simple compositions.

—Dominique Lévy

Richard Tuttle and Agnes Martin: Religion of Love

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Hardback
36 pages, 9.5 x 8 inches
1 colour, 14 B&W illustrations
Published by Walther König, 2016

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"Because Religion of Love (written in 1990s) is so late in coming out, we hope it worth the wait. As representative of one of the most important artist’s late thinking; on the one hand, it reconfirms her most classical thought (Beauty is the mystery of life), and, on the other, adds new thought with an urgency only found in a mature artist of her age and persuasion. One of the most rigorous of sensibilities, we do not know what she meant by uncharacteristically asking another artist, Richard Tuttle, to illustrate her text, for she, unlike he, had a clear understanding of the meaning of illustration. Knowing that, he took it up as much to fathom a friend’s genius after their passing, as well as the chance to say goodbye, life did not include, yet made available in publication. Hopefully, the reader can enjoy these various levels of interaction as art." Richard Tuttle, London, September 2014.

—Available from Cornerhouse Publications

Agnes Martin Monograph

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Hardcover, 272 pages
8.25 x 10.5 inches
Published by D.A.P./Tate, 2015

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Agnes Martin seems to be having a well-deserved moment in the sun with a retrospective at the Tate Modern, which runs until October 11th before heading to Dusseldorf, Los Angeles and New York. To coincide with the exhibition, the renowned London-based art museum has released a definitive monograph, featuring early works, Martin's striped and gridded paintings, and a series of her final pieces. The publication also includes a selection of drawings, watercolours and critical essays, creating a wonderful overview of one of 20th century art’s most enduring icons, as well as a testament to a strong female figure who made a name for herself in the veritable boy’s club of minimalism.

—Available from Artbook
—Tate Modern